Someone described my music as like Hawkwind gone wrong-but in a good way, and the comment snuck away at the back of my mind for years…until last Thursday. Subversive Frequencies descended on the Ceredigion Museum with a shed load of gizmos, audio and video processors and on more than a few occasions- the ether cleared. This clip doesn’t capture the audio so well, its pulsating dystopian waves, nor does it get the visuals. You can thank me for the ad hoc camera work. Levitation levitation levitation- kept ringing through my mind, although really this was a mostly dark set, of throbbing electronica and irregular and textural improvisation, spiralling out of control in all the right ways. Just what we needed.We hope to see these back again!
Musique concrete for toothbrushes Nord modular noise and drone…an evening with your new friends at LVOF. Tickets on the door, opens up at 7.30 for an approximate start thereafter.
Performing along with Duncan Chapman on 12th July 2018.
Mike McInerney plays shakuhachi and piano. Has studied mathematics and music at the University of York and has a Ph. D from Dartington College of Arts. He works with interactive technology, computer-generated sounds and live processing to create new music for Japanese shakuhachi flute, and other instruments. Mike has studied with the composer Frank Denyer, the shakuhachi player Yoshikazu Iwamoto, the pianist Jo Peach M. Phil. B. Mus LRAM, and the enlightened Zen calligraphy master, Tanchu Terayama.
Hailing from Clydebank, Scotland, Richard Craig has come to establish himself as one of the leading performers of new music. He has performed alongside ensembles such as MusikFabrik Köln, Klangforum Wien, and as a soloist he has been the dedicatee of many works for flute. As a composer/improviser he has been involved in an ongoing project with feedback called AMP/AL. His discography includes two monographs (INWARD and VALE both released on the métier label), and he has performed in numerous radio broadcasts for the BBC, WDR Köln, YLE Finland, Radio France, Radio Nacional de España, Swedish Radio, ARTE and Icelandic RUV. His own music is available on bandcamp.
Very interesting review from the mighty Ed Pinsent of the last Listen to the Voice of Fire. See here: http://www.thesoundprojector.com/2018/03/17/heat-light-and-fire/
Insightful comments regarding the split of noisy to introspective in the program as well as the reckoning of the (over) long AV piece, spell binding but whatever happened to agreed fifteen minutes, some imbalance perhaps.
Ed came all the way up to back of beyond Aberystwyth, well as did many of you, and suffered the regular as clockwork hitches on Arriva Trains Wales. But, what a pleasant fellow and we all enjoyed the Light of Asia on the night before. Great company and surprisingly tasty food.
Ahh, let’s do it all again…
She is an associate artist at Cafe Oto, is a member of Cranc, Common Objects and Apartment House, been artist in residence at Q-02, and played live with Tony Conrad in the Turbine Room at the Tate Modern. Other collaborations have featured the likes of John Butcher, Steve Beresford, Laura Cannell, Daniela Cascella, Anat Ben David, Rhodri Davies, Matt Davis, Richard Dawson, Julia Eckhardt, Kazuko Hohki, Roberta Jean, Lina Lapelyte, Dominic Lash, Tisha Mukarji, Andrea Neumann, Rie Nakajima, Anie O’Dwyer, Okkuyng Lee, Tim Parkinson, J.G.Thirlwell, Silvia Tarozzi, Stefan Thut, Deborah Walker, Paul Whitty, Manfred Werder, Birgit Ulher, Taku Unami and she’s released records on Absinth Records, Another Timbre, Potlatch and Confrontrecords.
Edward Wright is a UK based composer who was born in Buckinghamshire in 1980 which makes him very old to some people and not all that old to others. He completed a practice based PhD in music in 2010, focusing on combining electroacoustic and instrumental forces with Professor Andrew Lewis at Bangor University.
His work is mainly focused towards the electroacoustic end of the musical spectrum although he writes for and plays ‘real’ instruments as well. Highlights include; performances overseas including mainland Europe and the U.S.A., ‘mention’ in the Prix Bourges for his piece Con-Chords, a number of classical commissions, and airplay on BBC Radio 1 and S4C television. Ed also curates the Oscilloscope concert series and performs as part of the electronic trio Accretion Entropy.
Ed lives in North Wales with Emma, their daughter Alena, and finds it very hard to write about himself in the third person.
More about Ed is here: http://www.virtual440.com/welcome
Dr. Jenn Kirby is an Irish composer, performer, software developer and academic based in Swansea, UK. Her work ranges from instrumental composition, to electroacoustic, to laptop orchestra and the performance of live electronics. Jenn’s work explores elements of theatre, humour and subversion. Jenn works as the Programme Director for Music Performance and Production at the University of Wales Trinity Saint David, where she teaches composition and music technology.